Last night I was walking home in the dusk, under beautiful skies, and the tide was so high that the lock gates in the Cumberland Basin were left open, and 11.2 metre tide, per the Bristol Tide Tables, and that’s without any extra rainfall coming in from all the tributaries.
On evenings like this, it’s always hard to choose what to do, as the sun sets so quickly, and the river changes fast. Between here and Vauxhall Bridge, where I left the water, the tide kept coming in, and it was a beautiful night – windy and gorgeous, and all my phone photos look like I’ve put crazy filters on them.
Continue reading “High tide, and experiments”
I always love standing under the Cumberland Basin swingbridge, and listening to the vehicles driving overhead. That clunk-CLUNK as they hit the swinging bridge is really satisfying – and I love looking at the bridge mechanics.
I’ve always loved how different the Avon mud looks, depending on the light, and especially how that changes on a day like today, when the clouds move so fast across the sky. To me, the mud by the disused lock at Cumberland Basin looks like landscapes in miniature, with rivers, ridges of hills, or sand-dunes, and I’m always fascinated at how the changing light makes different parts of it jump out at me.
After a week of intense, bright sunshine, and heatwave conditions, the breezes felt so good, and I’ve been waiting for a day like this to film on, and make something that’s a meditative piece for me. I should probably go back and film for longer, and make a long piece that I could have as part of a show/installation, but I wanted to see what it was like today.